Rin TakamoriSculpt Reference Atlas
8 references / downloads
Character specification

Sculpt reference atlas

Stature

165–168 cm
Lean athletic build

Wardrobe

Tailored black suit
White cotton shirt

Primary prop

Cassette-edge sword
Black industrial finish

Orthographic turnaround

Use silhouette and proportional comparison; views are normalized to equal display height.

Rin Takamori in front A-pose, showing straight-on anatomy and tailored black suit construction.

Front A-pose

Centered posture; front planes, lapel break, glove coverage.

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Rin Takamori in back A-pose, showing rear anatomy and tailored jacket construction.

Back A-pose

Scapular span, jacket vent, hem and trouser fall.

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Rin Takamori in a strict 90-degree left side A-pose, showing aligned profile anatomy and suit depth.

Side A-pose

Strict 90-degree profile; shoulder set, knee alignment, and shoe volume.

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Head construction

Prioritize clean cranial mass before hair segmentation.

Closeup reference of Rin Takamori's face, expression, and facial planes.

Face planes

Keep brow, cheek, nose bridge, and jaw transitions deliberate; expression stays controlled.

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Closeup reference of Rin Takamori's hair, showing fringe, crown, and grouped strands.

Hair massing

Block large directional locks first; reserve individual strand breakup for the final pass.

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German longsword guards

Pose references only — not fencing instruction.

Rin Takamori posed in Alber guard with the hilt low and centered, sword point near the ground.

Alber

Low, centered hilt; elbows contained; point tracks near the ground. Pose reference only.

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Rin Takamori posed in right-shoulder Vom Tag with the hilt beside the right cheek and blade rising behind the shoulder.

Right-shoulder Vom Tag

Hilt beside right cheek; blade rises behind shoulder; preserve shoulder and wrist clearance. Pose reference only.

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Material system

Download original concept slate

Rin Takamori material palette with fabric, leather, steel, composite, and signal-red finish references.

Palette sheet

Finish, roughness, and edge-wear hierarchy for sculpt and material passes.

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